Producer, Nigel Lythgoe, spoke to reporters yesterday via a phone conference call. The main topic of discussion was the upcoming season of American Idol. Season 7 premiers with a 2-hour show on FOX, Tuesday, January 15.
What Nigel Said…
YAY: More kids, less mentors. The contestants can play instruments, at least in the early rounds. There might be a Beatles night. No fake eliminations during Idol Gives Back.
NEIGH: No plans to cut out bad singers during the audition phase to make room for more footage of potential contestants. There are SEVERAL teenagers who could potentially make it to the semis. Nigel is talking like he already knows who the Top 12 will be. Can we vote first?
Nigel also talked a bit during the conference about The Next Great American Band.
Here are some choice quotes from the press conference:
After the Jump!
“What I want to do is ensure the talent is strong, because that is what will make people come back, and I think that’s what we forgot at the end of last season…It’s not about the judges and its not about the mentors, it’s about the program as a whole, and first and foremost, it’s about the kids.”
Have we been saying this or what? I said something really similar back in November…
“I think we got carried away with the mentors last season for sure…We will spend more time talking to the kids about their lives [and] what they want from this competition.”
Ya think? More emphasis on the contestants, YES.
“I think we are all paid to say that [Simon said that this year’s Top 12 will be the strongest ever] every year. I would say we have got some excellent individuals. Last year, I said I thought it would be our strongest Top 12, and I still stand by that, even though a lot of people dissed us last year with our final group. But as a group, they were the strongest one, I think, of other years, where we have had bad people in it, and you kept your fingers crossed that they are going to be voted out, or you are embarrassed by them. I wasn’t embarrassed by anyone last year, even young Sanjaya, I thought, came through with all the hits he was taking. I thought as a group, the Melinda’s, the Blake’s, Chris’s, they were all pretty strong.”
I’m so glad he’s owning up to the fact that they all talk this crap at the beginning of every season–including Season 6. And I’m also happy that he’s not dumping on last year’s contestants. I suppose he’s leaving that job to Simon…
“This year, I think there will be standout individuals right from the beginning. This year, it won’t be like seeing somebody grow like Jordin did last year. I watched her go up the ladder of voting. This year, I think, you are going to go, ‘Wow! He is great.’ They are going to be standout very, very quickly.”
o rly?
“That’s what ‘American Idol’ is in the first stages…It’s Cirque du Lack-of-Talent, if you want to call it that. It’s all the ones that we can smile at and laugh at and say ‘Thank God it wasn’t us.’”
Ugh. That’s Nigel explaining why they certainly won’t be cutting back on the bad singers during the audition episodes. At the very least, I hope they don’t pick on people who don’t know better.
[Will they consider showing every semi-final contestant’s audition tape?] “Not necessarily. I say that because all I am interested in at the end of the day is turning out a good show. If they are as boring as hell in front of the camera, I am not going to show them, so they should be grateful that they are not seen, to be frank with you. Once they do something interesting or good, we will show that. That’s our job.”
Aaaand….that’s more on why Nigel won’t be featuring more potential contestants during the audition phase. Sigh.
[Contestants were allowed to play instruments during the audition rounds] “We did that on the Hollywood week. For some it worked out brilliantly. Three that I am positive are going to be in our Top 12 — as much as you can be — were terrific. A couple of others really crashed and burned very quickly. It is difficult to play the drums and sing in tune. Even Karen Carpenter wasn’t that good at doing that.”
The producers still haven’t decided whether the contestants will be able to play instruments during the competition. My cynical opinion is that the decision will depend on whether the contestant(s) they’d like to advance are musicians or not…In any case, I like the idea of contestants being allowed to play instruments.
This program will be around as long as people want it around…If we lost 50% of our audience tomorrow, we’d still be the biggest show on television … [but] I’ve never believed that the television audience is the same as the record-buying audience. If that were true, then, my God, they’d be selling 60 million albums as opposed to 2 million albums. It doesn’t always translate … [but] I don’t necessarily look on that as a reflection of, ‘Oh, people aren’t going to watch the show next year because Jordin Sparks’ record opened softly.’”
True enough.
More to look for in Season 7:
- The show has already signed 2 celebrity guests. However, Nigel has promised not to go overboard with the mentors this year.
- Nigel says the standouts will include three “brilliant 16-17 year olds” OMG they’re only 17!!!
- On Idol Gives Back, there will be no fake eliminations. In fact, there will be NO eliminations. The IGB special will air Wednesday, April 9. The elimination show will stand separate, scheduled on Thursday night of that week. Wasn’t I just sayin?
- The Philadelphia auditions will probably be first, or one of the first to air. Nigel feels that San Diego had the best talent.
- Nigel wants to do a Beatles night. Paul McCartney will not be appearing on the show.
- Even if the writers strike continues through the winter, Nigel has no plans to expand Idol to additional nights.
Nigel talks a bit about The Next Great American Band:
- Nigel thinks the show’s low ratings are a combination of people having a hard time connecting with a band, plus the terrible time slot. Err, I say it’s the crappy time slot, plus poor promotion.
- Says Nigel, “If you’ve really got any common sense, instead of watching [bands] on television on Friday night, you’re actually out enjoying yourself watching bands.”
- He loves Denver and the Mile High Orchestra–as a corporate act. He really likes Sixwire, but believes their time has come and gone. He thinks The Clark Brothers will be a great opening act, will record well, and can look forward to a long career.
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No more “OMG they are only 17!!” Just.Effing.No.!! Nobody can be that great at seventeen. It has been proven to death on this show. From Diana, Lisa, Paris, … to Jordin. Unfortunately, TPTB will play this angle ad nauseam again to attract tween demography..
Ahhhh, sweet memories from Season 6. I have a tie for my all-time favorite AI moment and they both happened during season 6.
Is it it the look on Sabrina Sloan’s face when Haley Scarnato got the final seat
or the look on Sundance Head’s face when Sanjaya sailed by him (although I admit Sundance took it better than Simon and his guarantee of a Sundance top 12 spot)
Which one wins, don’t ruin my sweet memories by making me choose.
I keep hoping they’ll limit contestants to be from 18-27 but it doesn’t look that that’ll happen.
Heh… Sabrina should have been shocked. I know I was. What’s ironic is that Sabrina and Sundance both got signed and are supposed to be doing a duets album. Where oh where is Haley Scarnato?
You and me both Bean.
Amen.
Well, if they really do “push” these contestants, similar to how “So You Think You Can Dance” did last summer, it might be interesting. I haven’t a clue how they might do this, but some challenges for the vocalists might be nice.
I would like for them to have ONE show where there are no judges comments. In fact, I would like that for every show, but I know that is what people expect. What they say, now, especially Randy and Pauler, is so damn predictable. I am totally over it and them.
I’d like to seem them replace Mo, Larry and Curly with Johnny Reznick, Sheila E and Dicko. Yeah, they are biased too, but at least they admit when a performance is good.